A lot of people simply don’t want to lose control, no matter what. Maybe the aversion some viewers have to both genres is a fear of losing control: of laughing so hard you snort or having to turn away in fright, of embarrassing yourself. “Get Out” showed the similarity between horror and comedy, the two genres most often expected to provoke an immediate, visceral reaction. What scares people says a lot about them - as the recent debate about what it means if a viewer finds certain elements of “Get Out” scary or funny revealed very clearly. How can films that fire your adrenal glands, send shivers down your spine, raise goosebumps, and quicken your breath - that inspire such an intense physical reaction - also be cerebral experiences? We forget all the time that, as Anna Karina’s “Pierrot Le Fou” character Marianne Renoir says, “There can be ideas in feelings.” Oscars 2022: Best Animated Feature Predictions The 15 Best Thrillers Streaming on Netflix Pay Attention to the Talent It's Unleashed (Column) 'Texas Chainsaw Massacre' Review: Leatherface Slashes Gen Z Gentrifiers in Bloody Sequel
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